We are one week shy of the release of You’re Next, and I can’t
fucking wait! Adam Wingard has appeared to thoroughly outdo himself as I have
yet to read a single bad review for the latest addition to the home invasion
genre. Wingard has a long line of hits already under his belt such as Pop
Skull, segments in V/H/S and V/H/S/2, and he’s currently filming his next project;
one that he wrote with Simon Barrett.
I love, love, love home invasion horror films. They play on
many different psychological fears; fears of things that could actually happen. While zombies and vampires may be terrifying
in a fantastical sense, in the back of all of our minds we know that all it
would take is one open window or unlocked door for all hell to break loose in
the place where we feel safest. This is horror at its finest for me, so in
honor of the release of You’re Next, it’s home invasion celebration
week on Lovecraft Reviews and I’ll be kicking it off with 10 films that feature
home invasions and/or the victims rising up to kick ass and take names!
Read on, and check out inside the break!
The Strangers was released in 2008, directed by Bryan Bertino and
stars Liv Tyler and Scott Speedman who play a couple staying at a remote
vacation home after attending a friend’s wedding. When mysterious visitors
start to appear at their front door at 4 in the morning, tensions start to rise
as they realize that they are being toyed with in a sick game with no apparent
motive. Who are these people in grotesque masks? They never speak, they move in
the shadows and it’s hard to tell if they even take joy in toying with the
emotions of the couple as the night wears on and day begins to break.
While there is little violence and gore in this film, its
use of suspense is magnificent, ultimately leading to a brutal and unexpected ending.
Needless to say, you will be double checking your locks after a late night
viewing of this one.
Funny Games was written and directed by Michael Haneke,
released first in his home country of Austria in 1997. He remade it for
American audiences in 2008. The original has become legendary among horror
circuits as a relentless, brutal and terrifying ride in the twisted minds of a
pair of killers. After a family with a young son arrive at their Austrian vacation
house beside a lake, their home is invaded by two young Viennese men who have
torture on their minds. Employing the use of interesting cinematography, the
film blurs the line between reality and fiction as the killers frequently
acknowledge the presence of the camera, and in a way, the audience, which adds
a completely different layer of unsettling creepiness.
I recently watched this film for the first time, be
expecting a review in the next few days!
Aw, the French. They have a way with horror, much like the Japanese,
that is hard to explain. Well, not really. They really like blood, guts and
violence, and I am perfectly okay with that! Haute Tension (released
in America as High Tension and the UK as Switchblade Romance) is a slasher
film released in 2003 and directed by one of my absolute favorites, Alexandre
Aja. It is attributed as being one of the forerunners of the New French Extremity
movement, one that also includes Martyrs.
When Marie and Alex travel to Alex’ parents’ home in the
French countryside, they plan on being able to have all the peace and quiet
they could possibly desire for a few days while they study for school. However,
the peace and quiet is cut short when a maniac wielding various power tools
breaks into the house and begins systematically and brutally butchering Alex
and her family, leaving Marie to fend for herself in the desolate French
countryside, alone and scared.
This film definitely broke a lot of boundaries for me. It
opened my eyes to the world of foreign horror, and I love it. It is not for the
faint of heart, it is generally a film that I like to show people to get a
laugh out of their reactions at the blatant and brutal gore.
While The Hills Have Eyes can be argued as
to whether or not it should have a place in the home-invasion category, I’m
still popping it in here. No, it’s not a house, it’s an RV, but much like You’re
Next, it’s a wonderful example of a film where the victims scream ”Fuck
this”, grab an axe and take back what’s theirs. Set in Nevada (New Mexico in
the remake) the film follows the story of a family traveling cross country on
vacation, when they venture off of the main road (much against the suggestion
of the local gas station clerk) and end up broken down in a ditch due to an unseen
booby trap. When a clan of deformed cannibals from the seemingly empty desert
descends on them, they must fight for their lives and the lives of their loved
ones, including new born baby Katie.
Based on the story of Sawney Bean, it was one of Wes Craven’s
first great efforts before he became immortalized with his A Nightmare on Elm Street
franchise. While I prefer the 2006 remake directed by Alexandre Aja (two films
in the list, he’s obviously one of my favorites), both are good for a deep
seeded scare.
Straw Dogs is an example of a great movie, remade into a not so
great movie. It combines elements of home invasion, backwoods terror, torture
and antagonist/protagonist role reversal. In essence, it’s a damn near perfect
film in my book. Dustin Hoffman (David) and Susan George (Amy) star in the Sam
Peckinpah directed 1971 release, centered around a couple who move away from
the big city back to Aly’s small country hometown to “get away from it all”.
When the locals, including Amy’s ex-lover, begin to feel threatened by David’s
intelligence, as a mathematician, they start to threaten the livelihood of the
couple in a fierce battle that ends in life, and ultimately, death.
Another entry directed by Wes Craven, The Last House on the Left
was one of the most controversial films of its time, tying in themes of the
Vietnam war, rape, torture and once again, the turning of the tables i.e. from
the hunted to the hunter. When Mari, a 17 year old girl, is raped and left for
dead in the woods near her home, the killers unknowingly knock on her parent’s
door pretending to be travelling salesmen. However, when Estelle (Mari’s
mother) discovers a peace-sign necklace that she had given to Mari earlier that
night among their things, their true identity is revealed and mama and papa
bear are unleashed upon the unsuspecting killers.
The film was remade in 2009 and is a fine effort, however, I
would recommend the original to the polished up remake.
One of my all-time favorite franchises is Scream.
Yes, it’s cheesy. Yes, it’s corny and hokey and silly, but I just love it. I
get chills every time I watch the original and while it may not be a home-invasion
film, per se, the opening scene alone is enough to warrant inclusion in this
list. Once again, another directed by Wes Craven, Scream tore into theaters
in early 2007, reinventing the slasher wheel and giving fresh life to a genre
thought dead by both critics and fans. It all started with a 10 minute intro,
in which we see the beautiful young Drew Barrymore receive a call from a
mysterious man who turns out to be her worst nightmare.
This series employs different elements of horror, and that’s
why I love it. We see a recurring cast through all 4 films, a strong female
lead who does more than run and cry, she fights back and she fights back hard. We see home invasion, the typical
teen slasher format, who-dun-it scenarios, films within films, comedy, drama, we
see it all, and I LOVE it.
I Spit On Your Grave. A film so controversial that 35 years
after its release, it’s still banned
in some countries. Directed by Meir Zarchi (who has done nothing else, aside
from co-producing the remake in 2010), the film follows the story of Jennifer
Hills, a beautiful young woman who rents a cabin by a lake in the isolated
countryside so that she can work on her first novel. When a group of men that
she meets in various places throughout town plan her abduction so that their
mentally retarded friend can lose his virginity, things turn ugly and she is
left for dead in the wilderness. After she pieces herself back together, she
begins the ultimate game of cat and mouse and one by one reclaims everything
that these men took from her in the form of their lives.
I enjoyed both the original and the remake of this one, I
believe they both stand on their own merit. Prepare to squirm though, if you
decide to watch either.
Once again, not home-invasion horror, I’m still putting it in the list. Hard Candy is an intensely suspenseful film that will have you on the edge of your seat anticipating its next move. The film focuses on the torture of a suspected child molester by a 14 year old vigilante, played by Ellen Page. I like this film because said child molester is played by Patrick Wilson, and I hate him. I also like this film because Ellen Page is an absolute badass, and you can’t believe the things that the seemingly sweet little girl does to Patrick Wilson. It’s an onion of love for me really.
In all reality, this movie is a punch straight to your
feels. You don’t even know how to feel once you’ve finished watching it. All I
know is it’s awesome and I’d definitely recommend it.
Now, as I’ve written this post (that’s gotten very
longwinded, for which I apologize), I’ve tried to create a certain flow. The
first 5 were straight up home invasion films, and as I’ve continued we’ve
evolved into films with home invasion elements but happen to focus more on the
victims turning the tables on the killers. This last one, you may think is
silly, but it is hands down the greatest story of victim turned hero that I’ve
read. That’s right, read, as the mini-series adaptation was absolute shite and
I refuse to include it.
IT by Stephen King.
Considered to be the greatest work that he has ever done, IT is
the terrifying story of an ominous presence who awakens once every 27 years to
feed on small children. Using fear as its main weapon, IT likens it to “saltening
the meat”, it can transform into various shapes, forms and beings to capture its
prey.
The book tells the story of The Losers, a group of kids who
encountered IT in they were children and return to their small hometown of
Derry, ME 27 years later to fight the beast again when it returns to hunt. It
is told in two parts, interlacing them throughout the epic novel, one of their
first encounter with IT, and the other of their second. It is in my opinion the
greatest tale of victims fighting back, not merely running with their tails
between their legs, ultimately awaiting their untimely demise.
So what is YOUR favorite home-invasion flick? Sound off in the comments. And remember! It’s gonna be a glorious week leading up to You’re
Next, you must stay tuned to Lovecraft Reviews for more home-invasion
celebration as I will be posting reviews, articles and other fun stuff all
revolving around my favorite sub-genre of horror!
- Rg Lovecraft
Hey RG
ReplyDeleteI'm so with you. When In The Stranger Calls, she finds out the call is coming from upstairs, I freak! I grew up in LA, and I had a friend who grew up in Sierra Madre. She's always said that one morning when she was a little girl, they woke up and all the furniture was rearranged. She swears, hands down, it was the Manson Family practicing their stealthiness. Who knows? Fucking scary as hell. I haven't seen Funny Games, I'll have to check it out, but I still have the images engraved in my brain from I Spit On Your Grave. Don't fuck with her, man. I'm glad you decided to share your thoughts. You've got good ones. I'll definitely be staying in touch. Until next time...Keep those fires stoked.
Eternally Yours
Warden Stokely
Warden Stokely Horrorzine
Cheers Warden! Really glad you liked the list, and great to meet you. When A Stranger Calls is actually one of the films that I'll be reviewing in the coming days for Home Invasion Celebration Week! That story is definitely scary as hell, but that's the kind of stuff that I live to hear about.
DeleteLooking forward to reading more of you posts, keep it spooky!
- Rg