Something almost beyond comprehension is happening to a girl on this street, in this house... and a man has been sent for as a last resort. This man is The Exorcist.
When the subject of iconic horror movies gets brought up,
there is one that almost always tops the list.
When the subject of the most
terrifying films of all time gets brought, it’s also pretty much guaranteed to
top that list as well.
When The Exorcist was released in 1973 it
shook the very ground it stood upon. Nothing like it had ever been presented on
the big screen, and people didn’t know how to react to it. It opened to mixed
reviews, but the general consensus was the same. This was the scariest movie of
all time. Critics didn’t know how to react to it, many of them claiming that it
was a “claptrap” and nothing but “religious schlock” with one general
direction: perverse scares.
Call it what you want, The Exorcist did what every horror
movie strives to do. It horrified, disgusted and revolted. It caused fainting
and vomiting, it caused countless sleepless night and it continues to scare
every subsequent generation since its release. While it garnered plenty of bad
reviews, they did not carry the blow intended by the critics. Calling a horror
movie disgusting, vile and perverse does nothing but to blatantly promote said
horror film, and everything that these critics said was in fact true. It is a
horrible film, but in that is what makes it one of the greatest horror films of
all time.
I will give a bit of a warning, this review will be long.
This is the first major classic that I will be touching upon in this blog so
forgive me, but I have no intention of making this a short one.
Now, please read on.
Title: The Exorcist
Director(s): William Friedkin
Writer(s): William Peter Blatty (based upon his novel of the same name)
Producer(s): William Peter Blatty
Starring: Ellen Burstyn, Max von Sydow, Lee J. Cobb, Kitty Winn, Jack MacGowran, Jason Miller, Linda Blair, Mercedes McCambridge
Director(s): William Friedkin
Writer(s): William Peter Blatty (based upon his novel of the same name)
Producer(s): William Peter Blatty
Starring: Ellen Burstyn, Max von Sydow, Lee J. Cobb, Kitty Winn, Jack MacGowran, Jason Miller, Linda Blair, Mercedes McCambridge
This film holds an extremely important place in my heart. I
would not be writing this blog, had it not been for this film. It is normal for
young children to be petrified by horror movies, some people may never grow out
of that, it’s natural. For most horror fans, there is always a film that
changes that. You move from childlike terror to a state of childlike wonder.
Instead of terror gripping your heart, you get a rush of adrenaline, I imagine
the sensation would be similar to blood lust, and before long all you’re
thinking about is the imagery of said film and which film you want to watch
next. This was The Exorcist for me.
SPOILER ALERT
The film opens in Iraq. Father Merrin, a Roman Catholic
priest, is leading an archaeological dig when he discovers a small amulet. We
learn that Merrin is recovering from a near fatal heart attack, which he must
take medication for. This amulet resembles that of the demon Pazuzu, one that
he has already come to battle with, who has returned for revenge and Merrin
knows that this will end in life or death.
We are then taken to Washington DC, where the rest of the
film will take place. We are introduced to Chris MacNeil, a successful actress,
and her daughter Regan, a sweet 12 year old little girl. Regan and Chris are
very close, and when Chris discovers a Ouija board in Regan’s craft area Regan
informs her that she found it in the closet and she uses it to speak with
Captain Howdy, “the one who gives the answers”.
One morning, after Regan’s birthday, Chris is awoken in the
early morning hours by a phone call and she discovers Regan asleep in her bed.
When asked why Regan is there and not in her own bed, Regan replies that her
bed shakes and she can’t get any sleep. Chris dismisses it as the work of a
child’s imagination, but when Regan interrupts a party that Chris is throwing
and urinates on the floor Chris takes her to the hospital to have some tests
done.
88 doctors and an unknown amount of time later, nothing is
known of Regan’s condition, aside from the fact that it is getting worse. Regan’s
voice is changing, her mannerisms are violent and sexually explicit, and at the
doctor’s recommendation, Chris seeks the help of a local priest named Father
Karras in the hopes of getting Regan exorcised. After collecting the needed
evidence to justify an exorcism to the Catholic Church, Karras is approved to
assist in the exorcism of Regan MacNeil, and Father Merrin is called in to
perform it.
END SPOILERS
When it comes to this film, there is one thing that you need
to keep in mind. There was nothing like
it before it was released. Yes, there were films involving the occult before,
but nothing came close to something of this magnitude. I have a few friends who
make claims of this film being overrated, not scary, etc. That’s fine, I
understand that as times change desensitization becomes more prominent, but can
one call this film over rated? I do not think so.
When the films open, we are greeted to dark ominous music
and the sound of a man chanting. This sets up the film perfectly. We are in
Iraq, where we meet Father Merrin and are also introduced to the cinematography
and film style that is used in the film. Long drawn out shots, wide angles,
little orchestral score and environmental ambiance. There is nothing to hide
from, there is nothing to distract you from the events on screen. When Regan is
possessed and the camera pans in on her face, you are staring directly into the
eyes of evil.
As the film draws on, you find more and more things to be unsettled
by, although you’re not sure why, there’s nothing overtly scary not even necessarily
creepy, but Friedkin found such a perfect way to set you up emotionally for the
onslaught that is ticking ever more closely as the film progresses on.
I think it’s time to focus on Regan now. Regan is a sweet,
young and innocent girl of 12. She loves to draw, paint and make various clay
sculptures. While her mother is on set, she plays with Sharon, her babysitter
and is always excited for when mom comes home. When we first meet Regan, you
can’t help but fall in love with her, and that is where the real terror of this
film comes from. Seeing this little girl spew forth terrible profanities and do
everything in her power to hurt those that are trying to help her. Linda Blair’s
portrayal of Regan was perfect and I am reminded of this every time I watch the
film. The mother/daughter dynamic presented in the film is equally great, and
there are moments when you can’t help but think about how difficult these
scenes must have been to film when you see Chris on the verge of mental
breakdown, and Regan’s face being torn about by this demon that has taken residence
inside of her soul.
A week or two ago, I wrote a post about the Top 10 Themes in
Horror. While Tubular Bells was included in the list, I believe that it is The
Exorcist’s lack of score that amplifies its terror. As already
mentioned, you don’t have anything to hide behind in this film. When Merrin and
Karras wage war against Pazuzu, you are left with the vile things coming out of
Regan’s mouth and Merrin’s prayers. When Regan isn’t spewing forth perverse and
painfully revealing secrets, the sound of her breathing seems even worse. Even
when there is a scene downstairs, you can still hear her raspy breathing
resonating down the staircase. There is no escape. When there is a “score”, if
you can even call it, it is often a conglomeration of odd noises and ambient tracks
that serve as an accompaniment to the surreal imagery being displayed on screen.
Whether it’s flashes of Pazuzu’s twisted face, or Regan writhing in blinding
light before a graven image Pazuzu, you’re left with a feeling of absolute
dread.
Last but not least, I want to focus on the cinematography
and imagery of this film. This film is a visceral assault to the senses, doing
things that no other film had the courage to do. While horror films before this
invited the approach of letting us use our imaginations to fill in blanks with
violence, gore and especially evil,
this one went the complete opposite direction and shoved our faces into it. It
is not like The Omen, where the face of evil is disguised behind the sweet
face of a child. In this one, we see evil tear apart the sweet face of a child.
There was no beating around the bush, Friedkin and Blatty threw us headfirst
into the thorniest bush they could find.
If I had a complaint about this film, it would be that there
was a lack of character development aside from the relationship between the
MacNeils. We don’t quite understand the relationship between Chris and Father
Dyer (as an example), especially considering Chris is an atheist, so it makes
little sense as to why he would be at her party. It is very evident that this
film had one intent, and that was to show the terror that befalls Regan.
I do not feel that a P’s and C’s section is necessary with
this one. After a review this long, I have already discussed many of the high
points and the low, so I will close with this statement. There are not many
horror films that I consider perfect, but The Exorcist… This is a perfect
horror film. It holds every single element required to make a truly terrifying
film, and there will never be another film that creates the same kind of impact
that this one did at the time of its release.
If you have a differing opinion, please, share. I invite
intellectual debates about the finer points of horror films, and would love to
get some interaction, especially revolving around a film as iconic as this one.
OFFICIAL RATING: 10/10
Until next time, my friends.
Until next time, my friends.
-Rg Lovecraft
No comments:
Post a Comment